The Fender Rhodes inspired new musicians to start playing because of its unique sound, but it also gave generations of piano players a new lease and a new means of expression through the same mechanics they were using to play the piano – and that has been the key to its longevity. But amps can make a sound come more alive, and it is challenging to rework an amp-recorded Rhodes in your studio. Compare this with Example 2a: this is the kind of funky-grungy sound you get on your midrange from a Twin Reverb. Have fun. Example 2a. When the Suitcase amps went stereo in 1969, this pattern was translated into a panning effect. Rhodes for sale. Listen: Supermarket Romance (MP3, 1.0 MB). I cannot stress the importance of this first and most important aspect. In the midsection they can lack clarity and the proper ability to vibrate correctly causing a dull tone. Rob Coops has contributed amongst others to great live recordings of Javascript must be enabled for the correct page display. The Fender Twin with a 1x15 inch were made with the Fender Rhodes in mind. I personally like a vintage "Herbie" sound, but if you listen on good speakers it will sound bright enough. It can sneak up on you: that warm, soothing yet crunchy keyboard from the late ‘60s and early ‘70s. I used a little bit of everything, most obvious the reverb. Phasing creates large volume sweeps, so this sample has been compressed more than the previous ones. Rob Coops of the Netherlands provides us with a variety of recordings demonstrating many of these effects in different configurations: The audio examples here show how a customized Fender Rhodes can sound when it is directly recorded, recorded with an amp, or directly recorded with analog effects. Tolex is far from perfect but not an absolute disaster. The black variation also sound great and are recommended for pianos in the '71 - '75 era. Rhodes. Originally released in… The Fender Rhodes piano helped to create the iconic sound of 70s rock. A ¼-inch nut driver is used to adjust the pickup volume; by loosening the pickup screw and sliding the bracket toward or away from the tine, you effectively change volume. 0. Read my lips: this sample has been heavily EQ-ed, with a lot of high-frequency boost. We do spent 99% of our time around electronic pianos, but trust us: it’s not just our bias talking. They often have peaks at 3 or 4 khz that can be too piercing for a Rhodes. A remedy is utilizing a heavy spring on the back tone bar spring, and if that does not work, replacement is necessary. The Fender and Rhodes brand names and logos are trademarks of their The feel and performance of the key bed has a direct correlation to how your piano feels and responds. Angie Stone and the Dave Douglas Quintet (Uri Caine). The tolex is fair for its age. The nice thing about this box is the little edge of overdrive it adds to the sound of the recording, but it is a bit harder to EQ it right. The Rhodes Mk1 suitcase has a fair amount of bark, I would pair it with the Sparkletop since it has a very natural tine sound. We took the signal directly from the harp (for best clarity) and fed it into a preamp/EQ. Example 7. The Rhodes and the Wurlitzer are sometimes mentioned interchangeably, but they’re actually pretty different. The signal was recorded via a Delta 1010 soundcard (24 bits, 96 khz) into Wavelab. I EQ-ed this sample to give the mid more warmth and exaggerate the "glitching" effect of the dampers. You also hear this effect combined with the Fuzz Pedal in recordings from the early 70's, adding warm distortion to the sound for an even more funkified "fuzz wah" experience. Example 5b. Need to find an all in one keyboard with the Best B3, Rhodes, Synth & Piano sounds!! Most Rhodes pianos can be improved by adjusting two specs, the escapement and the strike line. The subtle stereo-sweeping is the Waves Metaflanger: the Small Stone itself is a mono pedal. rhodes hardware 2 hole corner 024695 CAESOUND_RHODES_PLASTIC_FLAT_KEY. It is a Suitcase box from 1975 with the concentric knobs on the front panel. Layering should give you the best of both worlds. Example 8b. The escapement is the relationship or “blow distance” between the hammer tip and tine. The same piano is now connected to an original Suitcase Preamp. This is a 1979 Rhodes that I customized for a jazz player in September 2005. I think I set the depth somewhere before the middle position for this sample. Audio Electronics Repair Bell Audio Lab repairs: amplifiers, mixing boards, outboard effects, speakers, guitar pedals, and recording equipment. It usually sounds better. Fender rhodes Sound Effects (14) Most recent Oldest Shortest duration Longest duration Any Length 2 sec 2 sec - 5 sec 5 sec - 20 sec 20 sec - 1 min > 1 min All libraries Bobby Cole 0:04 The problem with guitar amplifiers is that the EQ-ing on those amps is not designed for a Rhodes but for a guitar. The first version of the Vibrato was in mono, a tremolo effect that varied the amplitude of the piano's output in a square-wave pattern. A customized Rhodes can effectively produce a "wall of sound" and project the energy you put into it. In the upper treble section, the shortness allows for a lack of sustain. Later in the 1970's and into the 80's, the phase shifter was regarded as a natural choice for adding body to the Rhodes tone. On top of the chorus effect, the box could switch over to a pitch-shifting vibrato. This foot pedal had an extreme impact on the Rhodes sound, virtually eliminating its bell-tone and emphasizing the midrange frequencies. The natural sound of this box is very dark, but there are several speaker upgrades available to get more clarity (Speakeasy & Vintage Vibe). Like a conventional piano, the Rhodes generates sound with keys and hammers, but instead of strings, the hammers strike thin metal tines, which vibrate between an electromagnetic pickup. By Tim Quine. This distortion is not part of the original sample. Same piano as the previous example. The Fender Twin Reverb was and continues to be the recommended amp for use with the Rhodes (see the Models section for more details). At Vintage Vibe we replace a lot of tines! Mike Nesmith wrote Linda Ronstadt's first hit, "Different Drum," before he joined The Monkees. Example 2d. He played an intentionally bad version of it on the show. Besides, there are plenty of places online where you can find pristine samples of all sorts of things, but here at AfroDJMac.com we favor sounds are unique and have personality! You will sometimes hear this referred to as the Fender Rhodes piano as it was created by Fender. In my opinion almost any Rhodes can sound professional, as long as you use a good preamp/EQ, exchange the parts that are bad and, ideally, let an experienced Rhodes tech optimize the action and sound for you, to really get the most out of the instrument. Rhodes tine pianos are known for a bell-like sound and a rich, warm, rounded tone. The characteristic sound of this pedal came from its rocking foot control, which swept the center frequency of a bandpass filter to create the impression of a person saying "wow". Have you freed your sound today? Replacing questionable tines also makes voicing (our next step) that much easier. For me the best non-original and the one i have used since 2010 is the Korg SV-1. Stay tuned for future samples of wildly overdriven amps. Need for Home Studio, and Live Stage!! There is the SFX speaker by Groove tubes. If no such thing what about separate keyboards, Kawai MP11, Hammond SK1, Roland Jupiter-80, Yamaha Montage, Yamaha CP4, Korg Kronos, etc. The sparkletop sounds closest to my old Rhodes but does not have the bark as I had the pickups very close. No legs. Greetings to all dedicated techs with big ears. The rack was made with samples of a Fender Rhodes Keyboard. Surprisingly this does sound pretty decent and the 6 piano variations tend to lean more towards an airy sound rather than the harsher Rhodes sound. This is done by removing the screws on each side of the harp so that you can adjust the harp back and forth while striking notes such as Cs and Fs up and down the keyboard, all the while listening for that sweet “crack” of the tines. A Rhodes and a Wurlitzer sound different, … Good, professional gear. Example 5a. The subtleties of damper adjustments are paramount to setting up a proper Rhodes. Most always replacement is necessary. This is my second soundfont, an improved sampling of my 1977 Rhodes Mark I Stage 73 piano. Some people prefer the early 70's Mark I, but these later models sound great also, when you treat them right. It was one of the first electric pianos that was used in live performances. There is one tine per note with fundamental frequencies resonating in a range of 41 Hz to 2.6 kHz, for the 73-key model. 3 hole corner for Fender Rhodes, AC Jack - Janus. It gave the Rhodes a pre-amp with integrated equalizer, which transformed the rather flat sound of the original Rhodes into a much greater sparkling sound. only requirment is songs were the rhodes are an important feature to the overall sound of the song, and aritsts whom are most prominent in use of rhodes (Magma, Steely Dan, 10cc, Hancock, Chich Corea), or other bands which have used it in an invetive way, that defies Fender Rhodes … In retrospect we should have given it more overdrive, but if you listen carefully to the beginning of this sample you hear the kind of overdrive you get from the Twin on your high frequencies. The Fender Rhodes piano uses a steel tine as its main tone source. Example 4. For a classic reference, listen to Herbie Hancock's Headhunters for a nicely overdriven Rhodes. Vintage keyboard to modern synthesizer repair whether it's a Fender Rhodes, Wurlitzer, Yamaha, or it's a Korg Kronos or a Roland Jupiter-80. I love how I can control the moving parts of the instrument. Pedals like these create extra noise, but I prefer them over computer-generated phasers and choruses. Just like the piano, it generates its sounds from hammers hitting metal tines. This broadens the sound without the chorus (detuning) itself being too obvious. it was in pretty good shape). These plugins were used just to correct. Transistor amps can overdrive also, so it does not necessarily need to have tubes. Listen to this sample on a pair of good speakers to experience the difference with 2a. The idea behind the Vibrato was to simulate a rotating speaker, although the actual sound was quite different. I filtered away the highest frequencies with the EQ plugin (they always irritate me). Some keys just aren’t up to par sound wise. The samples, in my opinion, sound pretty cool though. The idea for this sample popped up at the vegetable department. AC Inlet Jack - Rhodes Janus Amplifier AC Outlet Square, Janus-1 ... cae sound rhodes hardware 2 hole corner 024695. The wah effect is commonly featured on early jazz fusion recordings by Herbie Hancock, Chick Corea and Joe Zawinul, usually producing a static EQ from being left in the "always on" state. Example 3. We recorded it with only one Electro-Voice RE-20 dynamic microphone and a Tube-Tech MP1A microphone preamplifier. Clavia Lab by Simple Media. Proper escapement will allow your piano to respond to a softer touch more evenly across the piano, as well as offer you the optimal hammer “blow” to the tine. They have a nice round creamy tone and will do justice to all Fender Rhodes pianos. But for the sake of this article, and to inspire players to reach for improvements they can make now, here are five steps to help maximize the playability of your Rhodes. You can control the intensity of this effect, unlike the Small Stone and MXR. After purchasing the Rhodes trademark from CBS in 1987, Roland developed a line of digital "Rhodes" keyboards that didn't exactly sound like the real thing. the Mix section where I can control the tines and the mechanics allows me to craft the sound to my liking and, most important, create my personal feel which gives the sound its character. The piano is still connected to the Suitcase preamp, but is now amplified by a Fender Twin Reverb (silverface with master volume). But I am also a Hendrix fan...Jimi used this pedal on "Machine Gun" with an Octavia, a Fuzzface and a few stacks of Marshall's. Voicing is where you take your time and articulate each and every note over and over until the desired tone is achieved. “Electric 88 is top of the class for Fender Rhodes VIs. The biggest advantage of the CE-1 was its stereo output, a major improvement over the mono-only phasers available at the time. I like the irregular movement and tone of this effect. I too use a Fender Rhodes sound in nearly every track i write. A well-customized Rhodes provides a wide range of sounds to the player. Chorus creates phase-shifting: as a result the stereo image is a bit off-center. Use a Phillips head screwdriver to adjust the front tone bar screw, and you can effectively change the tonality of any given tine adding or removing harmonic and fundamental. Same signal path as Example 1. It is a 73-key piano with the older type of action: half-wooden/half-plastic hammers with neoprene hammer tips, a bit more work to get up to standard than later types (from 1975 on). Realize that any Rhodes that you hear on a CD has been processed to optimize dynamics and tone. The piano's clean tone is what you hear on many essential Fender Rhodes recordings, but definitely not all of them. You can get that classic sound for your own musical recording projects with the best Rhodes VST plugins. The colored variation are not quite as firm as the black variation which results in a very warm character. All three sections of the Rhodes have trouble spots; in the lower section they often oscillate poorly causing pitch shift or drift, this is inherent in some longer tines. Rhodes Super Site © 1996 – 2020 James Garfield & Frederik Adlers. The Electro-Harmonix Small Stone and the MXR Phase 90 were the two popular phaser choices during this era. The Univibe is mono also. Anytime escapement is changed, hammer tips are changed, tines are replaced, or if you just are not quite sure you are hitting the “sweet spot,” it is likely that a strike line change is needed. … If you are looking for that sound these tips will please. 5. Once the key bed has been set, you can determine whether you need an action modification known as the “Miracle Mod” for any piano built before 1978. With the release of the first Stage models in 1969, the player's choice of amplifier also began to shape the piano's sound. This makes a huge difference in producing an even scale across the Rhodes piano. Its sound became a trade-mark of R&B, funk, jazz, soul and all intermediary music genres. Another important element responsible for the way your Rhodes piano feels and responds are the dampers. It also forms the foundation to how all other setup procedures are balanced and supported, and how they operate. I like to use an amp to get that kind of tone. The oldest, the grand-daddy of all virtual Rhodes is the Lounge Lizard from Applied Acoustics. You will set your key height; level all keys, square to the key slip of case, and check key dip. Download FREE Rhodes Piano sounds - royalty-free! Applied Acoustics Systems Lounge Lizard EP-4. To remedy this, tone bar clips are added to aid in sustain. I used iZotope Vinyl for a subtle pitch warp and some EQ. Example 1. The follow soundfonts are included: * 'jRhodes3.sf2.zip': Full unlooped soundfont, with 65 samples in 5 velocity layers, sampling at least every 4th white key starting at F1. Posted September 11, 2010. And there is the Motion Sound module. Together these two adjustments form the bulk of basic voicing. Freesound - pack: C_S Fender Rhodes … Example 2b. Roland "Rhodes" Synthesizers. Rob wishes to thank James Garfield and Major Key for feedback and support, and their successful effort to keep the Rhodes alive and kickin'. The BOSS CE-1 Chorus Ensemble produced similar results, but with a wider palette of options. This sample shows how fat a well-customized midrange can sound. When a key is pressed, a wooden hammer strikes the tine which is attached to a tone bar that extends above it. We forgot to switch off the preamp's tremolo effect, so you are hearing a sort of compressed Vibrato that is swept from left to right with the Wavelab stereo panner. The twin has that open back so you get that flappy low end where the speaker is sometimes a bit out of controll. Everything is velocity-sensitive and you can still hear the typical Rhodes growl when pushing notes hard. In terms of effects, tube overdrive became a normal part of the piano's tone, with tremolo and spring reverb being available as well. I still want a Rhodes with the pink fluffy cloth on it. Rhodes pianos were among the most distinguished instruments of the new musical era. The high notes of this piano were placed relatively close to the pickups, but they still sound OK. Hmmmm??? I resampled Example 2a through a BOSS CE-1, with intensity set to 0. This sample was resampled through a Small Stone phaser (coloration knob downwards). This is the same effect circuit found in the Roland JC-120 Jazz Chorus, another 2 x 12" guitar amp popular among Rhodes players. One of the most popular outboard effects for the Rhodes was the Wah-Wah Pedal. Price: $7.00. We greet Ray up in the sky, who immortalized the Rhodes in that soulful and funny movie. Note that if you are using cheap consumer speakers, you may experience distortion in the high soloing notes of the following samples. This sound was often heard on slower songs and ballads, the most well-known examples being Billy Joel's Just the Way You Are and Paul Simon's Still Crazy After All These Years. respective owners and are not affiliated with or endorsed by this website. Like an electric guitar, the Rhodes sounds even better with the right amp and effects. It is generally not a good idea to place tines too close to the pickups, to the point where you get pickup-generated overdrive. The MP3's were made an hour before the piano was picked up by the client, in a very casual way. This would sound great as pad in the background with a washed out reverb and/or some tube distortion, Lemme know what you made in the comments. The Rhodes electric piano was created in 1970 by Harold Rhodes and it became popular shortly after. Works for the most part but probably needs a tune up. Find the Rhodes Piano sound you are looking for in seconds. Freesound: collaborative database of creative-commons licensed sound for musicians and sound lovers. By depressing a key into its farthest point without going into “after touch,” you find the point where you will measure the escapement gap. Example 8a. These later Rhodes Mark I models have the same basic characteristics as a Mark II with wooden keys. Example 2c. I cannot stress the importance of this first and most important aspect. You can custom the factory patch to your taste, either via the keyboard it's self or via the Korg software for the SV-1 … Various amps were specifically designed for use with the Stage Piano, but in reality it was a Fender guitar amp that Rhodes players preferred. Price: $3.00. This gives it an extremely unique sound that is very recognizable. A good but pricier alternative to the Small Stone and MXR: the Univibe. Sonny Fortune [Cornelius Fortune] (born May 19, 1939, Philadelphia, PA; died October 25, 2018, NYC; aged 79), alto sax. Kevin and Tim tag-team on this piece about an American classic that still gets a lot of action some 50 years after it first hit the scene. Description : Jazzy chords in Eb/D# major using a Chorus Rhodes from Labs by Spitfire Audio. This plugin is intended for e-piano sounds and also organ and clavinet … There are different ways to achieve escapement: by adding or removing shims to the harp supports (this lowers or raises the harp on each side), by adjusting the rear tone bar screw closest to the keys to a standard height of 3/8", and by utilizing graduated hammer tips. Note that if you are using cheap consumer speakers, you may experience distortion in the high soloing notes of the following samples. Styx, Chicago, Eagles were some of the artists who used this instrument. (Try this with a Motif?...I will buy them for $200.- a piece.). Quando, quando??? That Fender Rhodes Sound. Set up your key bed correctly. You can hear examples of that Rhodes sound when listening to classic songs like "You are The Sunshine of My Life" by Stevie Wonder or "No Quarter" by Led Zeppelin. I edited the sample with Waves plugins: I used the R-Comp, the Paragraphic EQ, the Trueverb, and the stereo panner by Wavelab. Most of the samples presented here were played pretty hard. This sound is available to any studio with a soundcard, a preamp, and a customized Rhodes. Example 6. Who says a Rhodes can't be psychedelic? The Phase 90 was an orange "stomp box" with an on/off switch and a single knob for controlling the effect's speed, while the Small Stone included an additional "color" switch for manipulating the overall frequency response. Weak and incorrectly adjusted dampers are responsible for many issues—from notes double-striking to after ring and muting. Robert described the keyboard as sounding like "garbage." Clean signal path, same as Example 2a. The Suitcase Vibrato was the original Rhodes effect, built into all versions of the Suitcase piano (as well as Stage models with the Super Satellite & Janus I systems). The Rhodes piano (also known as the Fender Rhodes piano or simply Fender Rhodes or Rhodes) is an electric piano invented by Harold Rhodes, which became popular in the 1970s.
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